Jenn Powers

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    • Contact

Jenn Powers

Jenn PowersJenn PowersJenn Powers
  • Home
  • PUBLICATIONS
  • ART Portfolio
  • WRITING
  • News
  • C.V.
  • Contact

Read Jenn's Work

fiction

Explore this flash fiction piece about a traumatized woman escaping her abusive lover. "Pinned Butterflies" was previously published in Lunch Ticket. This work was also nominated for Best Small Fictions. 

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Poetry

This poem touches on the haunting bond between the past and present. "Bird Shadows" was previously published in Prime Number Magazine.

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Fiction

Here's a short piece about a young girl who is curious about her creepy neighbor. "Window Light" was previously published in Gemini Magazine.

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Hybrid

Check out this experimental piece that combines poetry and prose. It contains a semi-story arc in epistolary format dedicated to a violent stalker. "Dear Watcher" was previously published in Thin Air Magazine. It was also nominated for the Pushcart Prize.

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read here: finalist for new millennium's poem of the week, 2025

HERE AND GONE

by Jenn Powers

  

In yoga class we’re told to connect with our Ujjayi breath, and the whole room sounds like the ocean


We’re told to stay in the present, to hold the pose even during discomfort

But what if I’m always in discomfort? How do I hold a pose that doesn’t seem to end?


I remember parts of you: coffee-colored freckles, a silky scar, gold hair 


But, lately, you’re disappearing. Like losing a balloon as a kid,

how it slips from my hand so quick, and then having to watch it leave me

until it


disappears


I’m tired of starting over. I’m tired of rebirth.

I’m tired of the fire and trying to rise from the ash—


And you—hot and cold, push and pull, here to gone.


During shavasana, we play dead, palms up, effortless breath where it’s easy to forget breath, 

but then the ache comes like a hot ripple. It’s also called corpse pose—

did you know you can actually die from a broken heart? 

There’s a medical term for it

It sounds so poetic to die for love, but the path to it just tastes like salt


The hardest part isn’t remembering the end—and how something can fall apart so fast—

it’s remembering the beginning before the beginning 

before I knew you 

before that evening you walked in to meet me, 

and I was still myself

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